Photo feature by Raju Mansukhani. Timeless messages of magical love, aesthetic beauty and compassion in a world scarred by relentless volatility, war and chaos...

By Aprameya Manthena. Chandralekha believed that the classical tradition had to be re-applied with the age-old questions surrounding body, sexuality, devotion, power, resistance, beauty, spirit,fertility, nature and intellect.

The Bluff with Priyanka Chopra as lead. “She stabs, she slashes, she shoots arrows, she shoots flintlocks,” according to The New York Times.

By Suresh Nautiyal. Little India is no longer merely a relic of colonial segregation; it is a confident commercial hub integrated into Singapore’s disciplined urban order.

Alaa's diary is an act of resistance. By Aayushi Rana What remains when everything vanishes?   A shadow?   A voice in the dark?   The echo of footsteps on stones that remember?   In Ibtisam Azem's   The Book of Disappearance , long listed for Booker Prize for Literature in 2025 , all Palestinians living in their original homeland occupied by Israel, vanish overnight .   Gone.   The streets of Jaffa in the West Bank  fall silent like after a storm has passed by.. Empty homes,

By Dr Ratna Raman. When it comes to excellence, is it the end of the road for once prestigious Delhi University?

By Siraj Khan.Remembering great music composer OP Nayyar (16 January, 1926 - 28 January, 2007): Personal recollections from a Pakistani friend of Lahore-born Bollywood icon whose stories are entwined with many legendary figures in the film industry, from Guru Dutt and Dharmendra, to Asha Bhonsle and Madhubala,

By Beena Vijayalakshmy in Toronto. Who would want to marry a person who doesn’t really want to marry you, for whatever ludicrous reason?

By Narendra . His films do not argue. They persist. They ask not what history means, but how long one is willing to remain with it after meaning has thinned out.

By Beena Vijayalakshmy in Ontario. The connection ran deep. The girl’s gaze is unflinching yet tender, both a warning and an invitation to witness her world.   The child tracing artworks, the woman carrying quiet pressures and ambitions, the observer craving stillness—all found space here.

By Aditya Nigam. In Venezuela, with mass resistance of tens of thousands on the streets, Trump's gangster methods might fail.

By Raju Mansukhani. It takes a philosopher-poet to lead us onto a poet-historian.

By Narendra Pachkhédé. Suzannah Mirghani films the burning without spectacle. Flames rise against the night. Wind replaces crackle. Villagers remain silent. The camera holds Nafisa’s face, steady in the firelight, neither triumphant nor penitent but lucid. This is judgment, not impulse. It insists that girlhood is not prologue, but history’s frontline. In Nafisa’s own words, “I will determine my future.”

By Narendra Pachkhede. James Vanderbilt’s Nuremberg arrives in full Hollywood regalia—swelling score, courtroom spectacle, America once more cast as custodian of justice. Evil becomes magnetic, irresistible to the camera.

By Satya Sagar. The recent surrender of top leadership figures within the Communist Party of India (Maoist) marks the most decisive failure yet in their decades-long armed struggle against the Indian State.

By Narendra Pachkhede. And who speaks for Gaza?

By Ramsharan Joshi. the amazing world of the fossils welcomed us with its ancient treasure of giant creatures which have vanished forever from our planet.

By Amit Sengupta. So what is that she is forever holding back and why?

By Ganpy Nataraj. Their Grammy-submitted third album bridges time, tradition, and transcendence — reaffirming why Agam remains India's most progressive rock band.

By Uttara Shidore. To me, drawing these patterns feels like a silent prayer—healing, meditative, and cathartic.