By Tarun Byaragi. If you also love stories, the next time you read a book, or watch a movie, try to analyse the story through a lens of justice.

A short story by Ajith Pillai. "Whenever despondency weighed him down, M rushed back to the sprawling 10,000 square feet space called ‘Home’..."

By Jasmine Mishra. Review: Sitaare Zameen Par. The film ends on a heartening note – that our own ‘normal’ need not be someone else’s. The ‘normal’ simply doesn’t exist.

By Nalini Ranjan Mohanty
. Branded a ‘communist lunatic’ by Trump, young Mamdani is the new star on that progressive horizon that holds out the hope for an egalitarian America. Like him. it’s time for Rahul Gandhi to raise the spectre, follow the advice of Thomas Piketty...

By Narendra Pachkhede. This is a choreography of chaos, a Sufi whirling, a mirror with no reflection, something unnamed—and unnamable, an ethic of becoming, an aesthetic of surrender.

R Kalpana. The issue is not the generation gap itself, but the lack of formal orientation and preparedness across all stakeholders.

Short Story: Their concept note said that cross-border firing could be stopped if India and Pakistan agreed to substitute firing with...

By Aayushi Rana. "I walked through a portal from 16th-century India into the golden, mosaic-strewn age of the Roman Empire."

By Amartya Acharya. Because what is effective sci-fi, if not an allegorization of the times, of a world being utterly controlled under the stupid whims of a billionaire, or the exploration of the final frontier—space.

By Amartya Acharya. 'Sinners' has the space and potential to be political, to be historically accurate, and, yet...

By NR Mohanty. In this shallow wolf-warrior diplomacy, the PM is well aware -- there is a big and powerful elephant in the room: China.

By Ratna Raman. As a university teacher dealing with impressionable minds, I feel that social media has  succeeded in creating multiple forms of digital schizophrenia  and new forms of cyber elitism.

Karen Gabriel speaks about the 'element of instantaneity': everything is arriving simultaneously in the ‘feed’ – and it disappears just as fast..

Rakhshanda Jalil. No matter how sick at heart we might occasionally get, we see it as our self-appointed task to keep on recording.

By Tathagata Chatterjee. Ray’s masterpiece was not made to be liked. It was made to be remembered.

By Ratna Raman. Being with the mother, who provided both nourishment and bodily contact, was a source of joy and delight and comfort. Being away from the mother was a space of unease or danger.

By R Kalpana. Vidhuthalai is not just a film – it’s a political document. A meditation on systemic oppression.